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This is a collection of finely written, well-crafted pieces which each offer something completely new to sometimes familiar figures – vampire violence and lust for blood, figures and scenarios from myth and fairy tale – women who turn into otters (the stories of silkies). He has thought through the ways in which these established figures and tales offer an undercurrent of threat, challenge, opportunity, which enables us to reflect on, imagine and explore human characteristics, and those of the non-human. He builds on the established and makes something very new. The otter wife (‘The Otter Wife’) longs to
be with her human family and yet needs to keep returning to her otter
family, shedding her skin and hiding it – but the disruption in
the family grows with her behaviour, the husband has insisted she change
and she’d promised to – and she mistimes her attempt to
truly enter her daughter into the otter family. Returning to the otter
family she is shocked, they also find her selfish and reject her to
her surprise. But returning home, realising she must instead choose
the human form, she has one of those notes: He’s taken the children
and left. It’s a cautionary tale about behaviour and choices,
power in a family, whether local, domestic, or the larger community,
demands to make, decisions about identity and the future. Like the traditional
tales of joining the otter, the seal, the mermaid under the sea, or
sadly walking away, it’s a comment on human relationships to the
wild side, and on informed decision making. But it is also wrenchingly
sad. ‘To know one’s fate is a blessing’ says Chloe, seamstress who teaches Prudence more than how to sew, and informs her of the way the Fates cut threads. Grand stories of Fates, gods and tempests infiltrate the everyday task of learning to sew and discovering that you are connected to a classical life and death in ‘Weave’. A sisterly quilting bee is the everyday solution to a crisis managed by the Gods and the fates. In another story, a swimmer meets Proteus, and in ‘Water’ a captured mermaid causes endless rain and rising water. In ‘Styx and Stones’ a dead guy wanders down the ramp to a ferry seeking a ride from Charon, the narrator, where the river of the underworld is everywhere and ‘dessicated limbs reach to the moon’. Another quilting story, ‘The Crazy Quilt’, produced by Grandma, is related to history, and in another tale some spooky creatures, the Dark Forces, head for Aunt Ruth’s barn to attack ‘the heroes’, while in the ensuing heroic fight with swords and crossbows, the narrator and Aunt Ruth discuss her role as the ‘Green Lady.’ There is a Stygian Knight, and in ‘Soup du Jour’,
a two-inch dragon in the soup. The Gods, Superheroes, dark forces and
supernatural creatures are just everyday folk in your ordinary small
town, quilting and producing dinners round their roles. Andrew’s
great knowledge of the gods and superheroes, myths and fables, is combined
with wit, local colour and a comic touch, realistic dialogue and always
some amusing twist.
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Website
maintained by Michelle Bernard - Contact michelle.bernard2@ntlworld.com
- last updated March
12, 2015 |
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